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Mixes and guests from the Bude.
Residents and guests, one hour at a time. Hit play, the mix runs in the Bude player and keeps going while you browse.
Tom Basta, at home between Berlin, Bern and Koh Phangan, folds his three worlds into a good two hours: Chicago’s rhythm, Detroit’s raw groove, Berlin’s pace. Raw house, deep techno, neodisco, the set runs from an organic groove to the peak, no shortcut.
New guest in the Bude. The Marco, an Iranian DJ and producer based in Los Angeles, fixed to no genre. House, progressive, whatever moves the floor. The next hour is his.
By Burning Man 2015 at the latest, one thing was clear to Ingo Dittmann: for him, music has nothing to do with money or success. It is about a shared flow, about freedom and an easy togetherness. That is what his set carries.
Guest from Baku, Azerbaijan: ELM. A deep house set of soulful grooves, pulsating basslines and hypnotic melodies. For the late hour.
Recorded after a long club night. Maures sets deep moods next to driving grooves, calm but to the point. Raw, with feeling, from hazy rooftops to sweaty basements.
Nimsay back in the Bude. House and techno, raw and direct. Get into the rhythm and stay.
Sixty minutes of Tech House and deep tech, recorded in St. Gallen. Tony Diaz lines up what the Bude is running right now: deep, hypnotic cuts, seamlessly into one another. No build for effect, just one steady pull.
Maures from Stuttgart, fresh in the Bude. His first one: groovy Tech House and hypnotic synth patterns. Dive in.
Tony Diaz moves through deep, hypnotic grooves. Minimal patterns, warm basslines, subtle melodies, somewhere between Deep House, minimal and Tech House. Made for sweaty nights and endless sunrises.
The start. Nimsay opens the Budenmusik podcast series with her debut set. Tech House meets minimal, no frills, straight to the point. Turn it up and let go.
